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Artist R.L. Gibson

Category: Artist R.L. Gibson

R.L. GIBSON: Art for Charity

ART FOR CHARITY RAISES MONEY FOR LOCAL NON-PROFITS

Michael Mitchell Interiors hosts Art For Charity, May 19 to June 13, at 438 King Street, Charleston. The gallery will be open daily 10 a.m. to 6 p.m.

Michael Mitchell of Michael Mitchell Interiors“I saw a way I could use my contacts and talents to help the community,” Michael Mitchell (pictured right), owner of Michael Mitchell Interiors, said.

“I look forward to working with each of the non-profit groups to raise money for their very special causes this year and in future years.”

Through regular gallery hours and special invitation-only receptions, artwork sold from local and national artists raises money for local non-profit organizations including:

  • Medical University of South Carolina (MUSC) Hollings Cancer Center
  • Charleston Breast Center
  • MUSC Children’s Hospital
  • Five local Habitat for Humanity affiliates
  • Ronald McDonald House
  • American Red Cross
  • South Carolina Aquarium
  • Roper Saint Francis Ryan White Program. 

Fat, Offspring, and Comedienne by R.L. GibsonArt For Charity features a wide variety of artwork from local and national artists. Artists include:

  • Carol Kamm
  • Marty Biernbaum
  • Deanna Bowdish
  • Terry Brennan
  • Joe Byrne
  • John Crum
  • R.L. Gibson
  • Heidi Darr-Hope
  • Toni Elkins
  • Rex Hunter
  • Jon Ives
  • Kim Keats
  • Karen Keen-Day
  • Stephen Kishel
  • Alicia Leeke
  • Elena Madden
  • Debbie Martin
  • Betsy McDonald
  • Easter Melton
  • Bruce Nellsmith
  • Betsey Stevenson
  • Darlett Stone
  • Carl Turner
  • Marlies Williams 

The style of the work ranges from traditional to modern, is both two and three dimensional and encompasses a variety of media.

Ashley Wieters Redmond, Director of the Ryan White Program, said, “The Roper Saint Francis Ryan White Program looks forward to their new partnership with Michael Mitchell and his Art for Charity event this year.”

“I believe the event will help bring awareness to the community on HIV/AIDS and services the Ryan White program offers while supporting Lowcountry artists. It’s all for a good cause.”

RESULTS: Arts in the Airport

Click Here to Subscribe to this Blog by Email!I am thrilled to announce that I received notification today that Pieces of Me: Beauty Queen was accepted in the Arts in the Airport Spring 2010 show.  815 entries from 197 artists were received, and 37 pieces were selected for the show.  To see all the pieces in the Fall 2009, visit the Arts & Culture Alliance .

Click Here to see the Pieces of Me series!The Metropolitan Knoxville Airport Authority (McGhee Tyson Airport) and the Arts & Culture Alliance of Greater Knoxville are pleased to present “Arts in the Airport Spring 2010,” a new exhibition featuring selected artwork. “Arts in the Airport” was developed to allow regional artists to compete and display work in the most visited site in the area.

The selected art features contemporary 2-dimensional artwork and will be exhibited in the secured area behind McGhee Tyson Airport’s security gate checkpoint.

This call for entry was featured on ArtAndArtDeadlines.com and had NO ENTRY FEE!  Get to work–No excuses!

Arts & Culture Alliance of Greater Knoxville!

OPEN CALL: No Fees or Deadlines

Click Here to Subscribe by Email!I try never to duplicate entries on RLGibson.com that I have posted on ArtAndArtDeadlines.com ; however, this one is a great opportunity that I think you should bookmark.  This call from Austin Museum of Digital Art has no fees and no Deadlines…so it is a great pick me up when you’re floundering for a show to enter.

Click Here to Subscribe to this Blog by Email!I get a lot of email, queries and facebook comments as to the legitimacy of the calls I post. And, while I understand that one rotten apple can spoil the barrel. Rest assured, I make every effort to sniff out the bad apples. To my knowledge, I have never post a fraudulent or scam call. Let me know if I ever do.

On that note, I am always hesitant to post calls for online exhibitions because they tend to strike my readers as a way to lose their cash for little benefit in return. However I must say, I am a big fan of art organizations that lay it all out there. Take today’s call for example.

Austin Museum of Digital Art The Austin Museum of Digital Art says, “Since AMODA currently has no permanent exhibition space, there are some types of visual art that are more practical for us to present than others. In particular, we are seeking artwork to display in our Digital Showcase Series. The Digital Showcase is a one night only event featuring live electronic music and visual art in a social setting, such as a bar or nightclub.” I get it, and I appreciate the fact that the call isn’t hidden in some vague archaic language.

Austin is known for its innovative art vision, and I love the idea of bringing art to the public instead of coercing the public to come see art. Here’s the call:

Check out the Digital Showcase concept!VISUAL ART

The Austin Museum of Digital Art is open to receiving a wide range of visual art submissions, including anything that they would define as digital art. Please see their About Digital Art page for more information.

“However, since AMODA currently has no permanent exhibition space, there are some types of visual art that are more practical for us to present than others. In particular, we are seeking artwork to display in our Digital Showcase Series. The Digital Showcase is a one night only event featuring live electronic music and visual art in a social setting, such as a bar or nightclub.”

The forms of art that work well in these events are video art, computer animation, digital prints, performance pieces, live video, multimedia installations, and interactive pieces. To submit visual art for their Digital Showcases Series, please send an email to visual.art@amoda.org. (See the submission guidelines below for more info on what to include in your email.)

Learn more about Digital Art at Austin Museum of Digital Art!FLYER ILLUSTRATION

Each Digital Showcase features a different flyer illustrator. If you would like your work to be considered, please contact their Creative Team Director at design@amoda.org. (See the submission guidelines below for more info on what to include in your email.)

SUBMISSION GUIDELINES

Examples of your work:

  • when you send a submission, please include examples of your art, music, etc.
  • they strongly prefer a link to a website where we can view or listen to examples of your work
  • if this is not possible, you may also attach images, audio files, or short video files to your email

Short bio and work description:

  • it would be helpful to include a short bio and description of your work
  • this may include your history as an artist, where your work has previously been shown, where you have previously performed, etc.
  • it may also include details on the concept/subject of your work, and any special display considerations
  • they prefer a link to a website where they can read this information, but you may also include it in the body of your email, or as an attachment

Submission replies:

  • they make every effort to read and catalog all submissions, and consider them for future events
  • however, AMODA is an all-volunteer organization and cannot guarantee a reply to every submission
  • even if you do not receive a reply, please feel free to send additional submissions in the future, as you create new work (this is an exception to most gallery rules)

For more information, please visit the AMODA Call for Submissions.

ArtAndArtDeadlines.com is a free service–forever and always. But clicking on a sponsor’s ad can help you find additional Art Deadlines and help this service remain free. I’ve filtered the ads so they are mostly about art. I hope you find something intriguing! Thanks for your support!

COPYRIGHTING & WATERMARKS

Click Here to Learn More about Social Media ManagersAs many of you know, I am employed as a Social Media Manager (See Online Community Manager at Wikipedia) for Carousel Gardens and do graphic design, web, and logo work in addition.  Yesterday I approached an artist’s representative about incorporating a piece of his artwork in a logo that I am currently designing. 

He said, “Sure.” 

I replied, “Thanks.  I will make sure it is small enough that it can’t be reproduced and stolen and…”

He interrupted laughing and said, “Clearly I’m not worried about that, or I would make a better effort to protect the artwork on the website.  I figure if someone can figure out how to steal it and make a million bucks, I’ll steal it back and make the second million.”

Folks, to put it in perspective, I am talking about an internationally-known artist whose work on canvas, paper and bronze is very well editioned and supports more than one generation of his family.

Click Here to Find this at iStockphoto!So my question is, why are artists so paranoid that we’re watermarking tiny digital images of our work online? 

If you’re a stock photographer–I get it.  Corporations using your images for logos and not paying–I get it.  But otherwise folks, let’s all loosen up.  Can’t we all just remember that theft–regardless of how wrong–is still a back-handed compliment?

The ones that really kill me are the images you right-click and they say “This image protected.”  Really?  I have yet to find an image protected from my PRT SCRN key.  Maybe what we should be doing is encouraging people to cut and paste our work so their audience is prompted to say, “Wow!  Who did that?”  

Optimism, folks…catch the wave.