I get a lot of email, queries and facebook comments as to the legitimacy of the calls I post. And, while I understand that one rotten apple can spoil the barrel. Rest assured, I make every effort to sniff out the bad apples. To my knowledge, I have never post a fraudulent or scam call. Let me know if I ever do.

On that note, I am always hesitant to post calls for online exhibitions because they tend to strike my readers as a way to lose their cash for little benefit in return. However I must say, I am a big fan of art organizations that lay it all out there. Take today’s call for example.

The Austin Museum of Digital Art says, “Since AMODA currently has no permanent exhibition space, there are some types of visual art that are more practical for us to present than others. In particular, we are seeking artwork to display in our Digital Showcase Series. The Digital Showcase is a one night only event featuring live electronic music and visual art in a social setting, such as a bar or nightclub.” I get it, and I appreciate the fact that the call isn’t hidden in some vague archaic language.

Austin is known for its innovative art vision, and I love the idea of bringing art to the public instead of coercing the public to come see art. Here’s the call:

VISUAL ART

The Austin Museum of Digital Art is open to receiving a wide range of visual art submissions, including anything that they would define as digital art. Please see their About Digital Art page for more information.

“However, since AMODA currently has no permanent exhibition space, there are some types of visual art that are more practical for us to present than others. In particular, we are seeking artwork to display in our Digital Showcase Series. The Digital Showcase is a one night only event featuring live electronic music and visual art in a social setting, such as a bar or nightclub.”

The forms of art that work well in these events are video art, computer animation, digital prints, performance pieces, live video, multimedia installations, and interactive pieces. To submit visual art for their Digital Showcases Series, please send an email to visual.art@amoda.org. (See the submission guidelines below for more info on what to include in your email.)

FLYER ILLUSTRATION

Each Digital Showcase features a different flyer illustrator. If you would like your work to be considered, please contact their Creative Team Director at design@amoda.org. (See the submission guidelines below for more info on what to include in your email.)

SUBMISSION GUIDELINES

Examples of your work:

• when you send a submission, please include examples of your art, music, etc.
• they strongly prefer a link to a website where we can view or listen to examples of your work
• if this is not possible, you may also attach images, audio files, or short video files to your email

Short bio and work description:

• it would be helpful to include a short bio and description of your work
• this may include your history as an artist, where your work has previously been shown, where you have previously performed, etc.
• it may also include details on the concept/subject of your work, and any special display considerations
• they prefer a link to a website where they can read this information, but you may also include it in the body of your email, or as an attachment

Submission replies:

• they make every effort to read and catalog all submissions, and consider them for future events
• however, AMODA is an all-volunteer organization and cannot guarantee a reply to every submission
• even if you do not receive a reply, please feel free to send additional submissions in the future, as you create new work (this is an exception to most gallery rules)

For more information, please visit the AMODA Call for Submissions.

ArtAndArtDeadlines.com is a free service–forever and always. But clicking on a sponsor’s ad can help you find additional Art Deadlines and help this service remain free. I’ve filtered the ads so they are mostly about art. I hope you find something intriguing! Thanks for your support!

The media in which I work is Xerography.  And I’ve spent years trying to find the technique that works best for me.  SC Artist Kim Lemasters introduced me to Xerography and showed me his method.  His method didn’t work for me…my first methods didn’t work for me.  Years later, I’m comfortable with my own process and find that it is still changing.  As my aptitude increases, my results change in unexpected ways.

For years, I worked on wood.  And honestly, I still prefer to work on wood.  However, I had work on wood that in my gut I knew was good that I couldn’t get shown.  I reworked some of the pieces on canvas and sent them to the same galleries as juried entries for different shows…and voila!  They were juried into the same galleries where they had previously been rejected.  It was at that point that I had to confront the issues of satisfying the marketing and realizing that it was not all about my process. 

I began producing ALL of my work for show on canvas while producing a few pieces on wood here and there because I loved them.  The result was a long resume of national shows and a secret belief (held by all artists I suspect) that some galleries and jurors simply have better taste and fewer biases about what constitutes “art” than others.

I decided to enter the Arts & Culture Alliance National Juried Exhibit of 2009 featured on the September Deadlines Post of ArtAndArtDeadlines.com.  As an experiment, I entered two pieces on canvas and a triptych on wood…just as a last hurrah for my sadly rejected wood pieces.  Only one piece could be juried into the show.  Wouldn’t you know… the wood triptych (pictured below) made the cut.

So, the moral of the story?  Oh hell, I don’t know…never give up on a piece you believe in?  have faith that eventually a juror will get it?  there’s no rhyme or reason to taste? 

Pick one.  Your guess is as good as mine.

Just a short note to let you know you can see Pieces of Me: Fat (pictured left) in the Metropolitan Knoxville Airport.  514 entries from 120 artists were received, and 41 pieces were selected for the show.  To see all the pieces in the show, view the visit the Arts & Culture Alliance .

The Metropolitan Knoxville Airport Authority (McGhee Tyson Airport) and the Arts & Culture Alliance of Greater Knoxville are pleased to present “Arts in the Airport”, a new exhibition featuring selected artwork. “Arts in the Airport” was developed to allow regional artists to compete and display work in the most visited site in the area.

The selected art features contemporary 2-dimensional artwork and will be exhibited in the secured area behind McGhee Tyson Airport’s security gate checkpoint from November 5, 2009 – April 22, 2010.

This call for entry was featured on ArtAndArtDeadlines.com and had NO ENTRY FEE!  Get to work–No excuses!

Thank you for your patience while RLGibson.com was under construction!

In 2008, I was privileged to have PR Maven Toni Turbeville design and launch a beautiful website in promotion of my work as R.L. Gibson.  As always, Turbeville listened and responded to my desire for a simple, mono-chromatic site that gave the bare basics of my work and my statement in this world as an artist.

Here’s what the site used to look like:

Developments over the past year, including the launch of a new series Psychomachia with Arizona-based artist Jerry Portelli, the launch of a new art blog ArtAndArtDeadlines.com, and the requests from my peers and fans to offer current updates on the work coming out of my 42 square-foot studio–Well, they all resulted in this relaunch of my site in a format that allows you to leave comments, receive automated updates by email, and get a closer look at the work behind the work.

Welcome, I’m glad you’re here.  Take a minute and subscribe by email.

–R.L. Gibson